For the purposes of this debate, the “Abject Woman” refers to a concept/literary trope of a woman who resists dominant social and gender norms through transgressive or self-destructive acts. They are often portrayed as women who disrupt social boundaries and can, at times, take on socially repulsive forms.
Examples include but are not limited to: Yeong-hye in The Vegetarian, where she creates intense conflict with her family by refusing the consumption of meat, leading to her institutionalization; Bertha Mason in Jane Eyre, where she exists as the “madwoman in the attic”; the Female Creature in Mary Shelley’s Frankenstein where she exists as a subhuman and almost manstrous creature.